Más Información

PAN exige alerta migratoria para Rocha Moya y el alcalde de Culiacán; buscan evitar que se "fuguen del país"

Cae en Sinaloa el hijo de "El Balta" Díaz, exconsuegro de "El Mayo" Zambada; fue arrestado en una taquería de Ahome

"Nuestro compromiso es con la verdad, la justicia y la defensa de la soberanía"; claves en mensaje de la FGR por caso Rocha

Sheinbaum designa a Columba López como secretaria de Agricultura; Berdegué defenderá al campo mexicano rumbo a revisión del T-MEC

Ferroviaria Canadian Pacific Kansas City demanda a México; acusan que proyecto de trenes de pasajeros afecta sus inversiones

Delgado respalda a Ariadna Montiel rumbo a dirigencia de Morena; "su liderazgo nos conducirá a una jornada histórica en el 2027"
A retrospective exhibition on the pioneer in the development of performance art, Yves Klein (1928-1962), arrives for the first time in Mexico and Latin America . This Saturday, the University Museum of Contemporary Art (MUAC) will host an exhibition which gathers more than 75 works and a wide selection of documents – such as drawings, photographs, and letters – aimed to display the different sides of the artist.
The chronological exhibition of the artist's short-lived career focuses on the three main themes behind his work: monochromes, the tangibility of flesh, and art as an immaterial field.
For the first time in Mexico
, the first monochrome of Yves Klein, titled “Expression de l'universe de la couleur mine orange” (Expression of the universe of the color lead orange) will be on view, as well as several symbolic pieces, that with the white of the walls of the museum as a background, allow for a thorough contemplation of the deep Klein blue (IKB: International Klein Blue, registered in 1956).
Daniel Moquay, exhibition curator, and Amanda de la Garza, associate curator, want visitors to know the man behind the contemporary artistic practices and for the exhibition to bring the audience closer to the understanding of contemporary art.
“ Ives Klein is more than blue , he was a man who worked day and night; he was a painter by day and a writer by night,” said the curator, who emphasized both, the artists and his work, have become more relevant after 50 years.
The exhibition will open to the public next August 26 at 12:00, with the participation of Daniel Moquay and Carlos Amorales, until January 14, 2018 at the MUAC (Insurgentes Sur 3000, at the University's Cultural Center).
am
Noticias según tus intereses
[Publicidad]
[Publicidad]








